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Jeremy Dylan

  • my favorite album podcast
  • films
  • music videos
  • photography
  • writing
  • blog
  • about
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MY FAVORITE ALBUM PODCAST

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#121 - Holiday Sidewinder on Bob Dylan ‘Pat Garrett & Billy the Kid’

Jeremy Dylan April 3, 2018

London-based Aussie songstress and ex-frontwoman of Bridezilla, Holiday Sidewinder joins me for a chat about one of Bob Dylan’s underappreciated classics - 1973’s ‘Pat Garrett & Billy the Kid’, the soundtrack to the film of the same name.

What happens when rock’s most famous lyricist makes a largely instrumental album? Why does legendary R&B organist Booker T play bass on the album? What did Holiday steal from Dylan when she met him backstage? How does the record fit in with Bob’s Nashville period? Why did Holiday play this album at a funeral she was musical directing?

Plus, Holiday and I close the episode with a short acoustic rendition of the album’s most famous song 'Knockin On Heaven’s Door’.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast in Apple Podcasts here or search 'My Favorite Album' wherever you listen to podcasts.

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it's influenced them.

Jeremy Dylan is a filmmaker, journalist, concert promoter and photographer. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the film Benjamin Sniddlegrass and the Cauldron of Penguins.

If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Holiday Sidewinder on Twitter, Instagram, Facebook.

- Jeremy Dylan's website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

← #122 - Jimmy Vivino on Al Kooper, Mike Bloomfield and Stephen Stills ‘Super Session’#120 - Ben Blacker on David Bowie ‘Aladdin Sane’ →

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